Tsuchigama Project

Tadashi Hirakawa pottery

Works by Yukiko Akai in First solo exhibition

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  • Photographs of Zen & Be-zen Exhibition at the Sogenji Temple
    • Photographs of Zen & Be-zen Exhibition at the Sogenji Temple Vol.2
  • Text of Zen & Be-zen
    • Contribution text of Dr. Yousuke Usui
    • Contribution text of Dr. Takashi Taniichi
    • Hirakawa’s vision of the future for Bizen Art　Hiro Chikashige
Monday July 24th, 2017Wednesday July 26th, 2017 Hiroyoshi Chikashige

KON-根　（Biscuits　＆Red）

KON-根（gray)
Kotowari
Oneness

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Tadashi Hirakawa and Tsuchigama

Establishing his own Bizen ware atelier in 1989, Hirakawa immediately began a research for the origin of the Bizen ware, the attractiveness of which was lost as the country entered the modern era (post Meiji Restoration). His treks in the hills of Bizen region were simply to look for ruins of the ancient kilns and the local clay. The laborious research of the past was a transition to a future of the clay art. The task to live with the local clay, which Hirakawa calls “From the past to the future”, in itself is the “Tsuchigama Project”

Exhibition [Zen & Be-zen]

禅と備前展

”Zen & Be-zen” was a title term coined to distinguish the exhibition’s focus on linkage between Zen philosophy from art works born of a local culture in the Bizen region of Okayama.

Photo album

Yukiko Akai[Debut; Gifts from the earth]

Debut 賜物

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  • Works by Yukiko Akai in First solo exhibition
  • Yukiko Akai First solo exhibition
  • Photographs of Zen & Be-zen Exhibition at the Sogenji Temple Vol.2
  • Hirakawa’s vision of the future for Bizen Art
  • Contribution text of Dr. Yousuke Usui
  • Contribution text of Dr. Takashi Taniichi
  • Exhibition Zen & Be-zen June 2016
  • 8/1 Diary IN ARKANSAS 62
  • 7/31 Diary IN ARKANSAS 61

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